Paul Armfield Isle Of Wight, UK
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Bloody Noses EP
by Richard Thompson
supported by 4 fans who also own “I'm Not Here”
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Those two French, Frith, Kaiser and Thompson albums led me to this. Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?). With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP.
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Serpent's Tears
by Richard Thompson
supported by 4 fans who also own “I'm Not Here”
There's a similarity in song writing between Richard Thompson and Hugh Cornwell which maybe isn't surprising as they went to the same school at the same time, although Thompson is older. Due to Thompson's association with John French of Captain Beefheart & The Magic Band I searched for his work on the Bandcamp app. French, Thompson and Cornwell all have albums on the app which I'm very pleased about. Only Thompson has released contemporary albums, much to his credit.
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Muggington Lane End
by Lavinia Blackwall
supported by 4 fans who also own “I'm Not Here”
Nice pop balladry with a folk influence. My first thought upon hearing this was "female Paul McCartney" but it is probably aiming for Sandy Denny territory. Lavinia was in psychedelic folk band Trembling Bells.
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Fragile as Humans
by Emily Barker
Australian singer-songwriter explores self-examination, loneliness, and post-pandemic malaise through delicate, empathetic folk pop.
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Irish singer-songwriter Oisin Leech's acoustic folk music is characterized by its muted beauty and intimate, solitary quality.
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The haunting new record from Canadian folk artist Avi C. Engel bridges old and new traditions with a minimalist approach.
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supported by 4 fans who also own “I'm Not Here”
Psych-folk with a late 60s / early 70s flavour. If you like Nick Drake or Fairport Convention you will enjoy this. It's an observation of change and a celebration of a hazy, high summer harvest. The music transports you to the moorlands and mill towns of Northern England. Dark and open and embellished with beautiful melodies and thoughtful lyrics. This is album of the year 2021 for me.
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